Choreographic Lab 26

This program is made possible with public funds from the Queens Arts Fund, a re-grant program supported by New York City Department of Cultural Affairs in partnership with the City Council and administered by New York Foundation for the Arts.

Queens Choreographic Lab

Creation of a New Contemporary Dance Work

July–October 2026
Public Program: July 6–11, 2026
Cucala Dance Company | Long Island City, Queens, New York

Initiated & Artistically Directed by sarAika movement collective
Sara Pizzi & Aika Takeshima

Queens Choreographic lab

Expanding Access to Professional Contemporary Dance.
Nurturing Artists.
Creating Together in Queens.

Project Overview

Queens Choreographic Lab: Creation of a New Contemporary Dance Work was a contemporary dance training, research, and creation project initiated and artistically directed by sarAika movement collective, led by co-artistic directors Sara Pizzi and Aika Takeshima.

The project brought together 16 dancers from across Queens and New York City for an intensive week of professional contemporary dance training, movement research, improvisation, choreographic exploration, and collaborative creation.

Held at Cucala Dance Company in Long Island City, Queens, the LAB provided participants with a free opportunity to engage in a professional creative environment, develop their artistic practices, and contribute to the creation of a new original contemporary dance work.

The project aimed to expand access to professional dance training and creative opportunities while fostering artistic exchange, collaboration, and community connection.

sarAika
choreographic lab

Project at a Glance

  • 16 participating dancers from Queens and across New York City

  • 6 days of training, creation, and public performance

  • 5 days of intensive contemporary dance training and choreographic research

  • 1 original contemporary dance work created and premiered

  • Full-house culminating performance at Cucala Dance Company (48 audience)

  • Free participation for all LAB dancers

  • Public funding through the Queens Arts Fund 

Training & Movement Research

From July 6–10, 2026, participants engaged in daily contemporary dance classes and an intensive choreographic laboratory led by Sara Pizzi and Aika Takeshima.

Each day introduced a different aspect of sarAika’s artistic practice, combining technical training with creative exploration.

July 6 — Movement Research: Geometry, Self-Image, Drawing & Improvisation

Exploring the relationship between visual imagination, spatial awareness, self-image, and movement generation through drawing, geometry, and improvisation.

July 7 — Partnering: Tools & Repertoire

Investigating physical connection, responsiveness, trust, shared movement pathways, and communication through partnering exercises and choreographic material.

July 8 — Repertoire: Continuum

Studying movement material from sarAika’s repertoire, focusing on physicality, dynamic transitions, momentum, and musical precision.

July 9 — Contemporary Technique: Isolation & Flow — Aika Takeshima

Exploring isolation, groundedness, spinal articulation, momentum, three-dimensional movement, and fluid transitions.

July 10 — Contemporary Technique: Physicality, Precision & Storytelling — Sara Pizzi

Investigating physical rigor, musicality, expressive detail, movement precision, and the relationship between physical action and emotional intention.

Throughout the LAB, training and movement research were directly integrated into the choreographic creation process, allowing participants to apply technical discoveries to the development of new movement material.

Choreographic Creation

At the center of Queens Choreographic Lab was the development of a new original contemporary dance work.

Rather than beginning with a fully predetermined choreography, Sara Pizzi and Aika Takeshima developed the work through an intensive creative process with the participating dancers.

The creation incorporated choreographic material introduced by the artistic directors, movement generated through improvisational tasks, partnering research, visual and geometrical exploration, and collaborative experimentation.

The dancers were encouraged to bring their individual movement qualities, interpretations, and artistic perspectives into the creative process.

Through this approach, the choreography emerged from an ongoing dialogue between artistic direction, individual expression, and collective exploration.

The LAB emphasized not only the final performance, but also the value of the creative process itself: experimentation, adaptability, communication, artistic decision-making, and the exchange of ideas among dancers with different experiences and movement backgrounds.

This approach reflected sarAika’s interest in choreography as both a structured artistic composition and an evolving process shaped by the individuals involved.


Culminating Performance — July 11, 2026

The artistic and public phase of Queens Choreographic Lab culminated in a full-house public performance on July 11, 2026, at Cucala Dance Company in Long Island City, Queens.

The performance welcomed 46 audience members, along with additional invited guests, filling the venue with artists, friends, families, and members of the community.

Cucala Dance Company served as both the LAB’s intensive training and creation space and its culminating performance venue. This continuity allowed the same space in which the dancers had researched, experimented, and developed the choreography to become the setting for its public presentation.

The evening featured the premiere of the new contemporary dance work created during the LAB, alongside performances by sarAika movement collective and Cucala Dance Company.

The program also included an Audience Participatory Live Creation & Improvisation, inviting audience members to influence choreographic decisions and improvisational tasks in real time.

Through this interactive component, audiences could experience how movement ideas are generated, transformed, and developed through spontaneous decision-making.

The interactive component brought a playful and engaging dimension to the evening. Audience members appeared particularly enthusiastic about watching their friends and family perform and experiencing how their own choices could influence the choreography unfolding before them.

The event concluded with an informal gathering, creating opportunities for conversation and exchange between participating artists and audience members.

By presenting both the completed work and aspects of its creative methodology, the culminating event offered audiences an opportunity to experience contemporary dance as both an artistic outcome and an evolving creative process.

Performance Program & Artist Profiles

Explore the original digital performance program from July 11, 2026, featuring the participating dancers’ names and portraits, the evening’s performance lineup, and details of the Audience Participatory Live Creation & Improvisation.

View the Original Performance Program →

Artistic & Community Impact

Queens Choreographic Lab was developed around the belief that artistic growth is strengthened through access, experimentation, and exchange.

By offering free professional contemporary dance training and a collaborative creation opportunity to 16 dancers, the project provided an environment in which participants could develop their artistic practices, encounter new approaches to movement, and contribute their individual perspectives to the creation of an original work.

Participant Experience

Throughout and following the LAB, participants voluntarily shared enthusiastic feedback with the artistic directors.

Several dancers described the experience as an exceptionally meaningful and enjoyable week, with some calling it “the best week ever.” Participants also expressed how much they had learned through the training and creative process.

Particularly meaningful was the way participants described the atmosphere of the LAB: warm, welcoming, kind, inclusive, and collaborative, while maintaining a high level of artistic and professional rigor.

These informal conversations suggested that the project succeeded in creating an environment where artistic excellence and a supportive creative community could coexist.

Although no formal participant surveys were conducted, the unsolicited verbal responses provided valuable insight into the participants’ experiences.

Audience & Community Engagement

The culminating performance welcomed 46 paying audience members and additional invited guests, reaching full capacity at Cucala Dance Company.

The audience included friends, family members, and supporters of the participating artists, creating a lively and supportive atmosphere.

The Audience Participatory Live Creation & Improvisation encouraged direct engagement with the choreographic process, allowing audience members to influence movement decisions and experience the spontaneity of live creation.

The audience appeared enthusiastic and engaged throughout the event, particularly during the performances by their friends and family members and the interactive improvisation.

By transforming the same space from an intensive training and creation environment into a public performance venue, the project connected artistic research directly with community presentation.

Broader Artistic Value

Beyond the creation of a new contemporary dance work, Queens Choreographic Lab demonstrated a model in which professional artistic training, collaborative creation, public performance, and community engagement could be integrated into a single intensive program.

The project brought together dancers from Queens and across New York City, providing opportunities for artistic exchange and the development of connections through a shared creative experience.

The combination of high professional standards and a welcoming, inclusive atmosphere was a particularly meaningful aspect of the project, as reflected in participants’ informal feedback.

Through this initiative, sarAika movement collective further developed its commitment to artistic exploration, collaborative practice, and expanding opportunities for contemporary dance.

Documentation & Archival Phase

The artistic and public phase of Queens Choreographic Lab concluded on July 11, 2026, with the culminating performance and public program.

Following the performance, the project continued through its documentation and archival phase, including the organization of photographic and video documentation and the development of a permanent record of the artistic process and its outcomes.

The documentation and archival phase was completed in October 2026 with the publication of this official project archive.

This archive preserves the creative research, choreographic development, participating artists, and culminating performance as part of sarAika movement collective’s ongoing artistic record.

It also serves as a resource for sharing the project’s methodology and outcomes with artists, audiences, cultural organizations, and future collaborators.


 

Project Credits

Initiated, Artistically Directed and Choreographed by

sarAika movement collective
Sara Pizzi & Aika Takeshima

Created through a collaborative choreographic process with the LAB dancers.

LAB Dancers

Justin Shemaiah Hohn
Libby McKenzie
Aubrey Mailloux
Jodey Yang
Julianna Massa
Casey Schwarz
Gabrielle Cardinale
Kya LaSister-Hodge
Mika Iguchi Eppstein
Neve Wilcox
Meghan Larimer
Mariko Shibata
Miranda Lizotte
Sierra Moore
Ava Faber
Madisen Gibson

Lighting Design

Haley Morgan Miller

Photography & Videography

BECCAVISION

Venue / Project Partner

Cucala Dance Company
Long Island City, Queens, New York

Project Timeline

July 6–10, 2026
Professional contemporary dance training, movement research, and choreographic creation.

July 11, 2026
Full-house public performance and premiere of the newly created contemporary dance work.

July–October 2026
Project documentation and archival development.

October 2026
Completion and publication of the official project archive.

Funding Acknowledgment

This program is made possible with public funds from the Queens Arts Fund, a re-grant program supported by New York City Department of Cultural Affairs in partnership with the City Council and administered by New York Foundation for the Arts.

Choreographers

sarAika movement collective

Sara Pizzi & Aika Takeshima

sarAika movement collective is a contemporary dance collective, founded by immigrants and queer women Aika Takeshima and Sara Pizzi in New York. sarAika advocates for diversity, equity, and inclusion in the dance ecosystem. The collective is known for creating multidisciplinary collaborative performances that highlight topical issues and personal insights. Through multidisciplinary performances and community programming, they raise awareness on relevant social issues and offer accessible arts opportunities. Their mission is to foster authenticity and inclusivity, using collaborative art to connect and empower communities. sarAika’s performances break traditional norms, amplifying underrepresented voices and speaking on behalf of personal insights and rights. In 2022, sarAika made a significant impact with over 50 performances, including the debut of their evening-length show Stella, Come Home for Et Alia Theater and a performance at The Museum of NYC. In 2023, they received a Spoke The Hub award, created their first solo production, completed a RedTail residency at JCAL, and toured Japan. Recently, they were commissioned by IATI Theater to create another evening-length show and awarded Artist-In-Residence from University Settlement to create a full evening show in the Spring of 2025.

sarAika movement collective

LAB Dancers

Gabrielle Cardinale
Casey Schwarz
Kya LaSister-Hodge
Libby McKenzie
Justin Shemaiah Hohn
Mika Iguchi Eppstein
Jodey Yang
Miranda Lizotte
Neve Wilcox
Sierra Moore
Aubrey Mailloux
Julianna Massa
Madisen Gibson
Ava Faber
Meghan Larimer
Mariko Shibata

Special Thanks

photo: Cat Caruncho & BeccaVision

Gallery

gallery

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